Working draft for our writers · Take9 bid · November 2, 2026

Nine episodes. Nine scams. Nine seconds that save a lot of headaches.

VERT will develop, shoot and finish a 9-episode vertical microdrama about real scams, real families and the 9 seconds that stop them.

9 × 60-second episodes Vertical 9:16 Sandwich Generation, 35 to 55 Launch February 2027
What we heard

Scams are more common than most people think.

Take9 wants busy parents to take a 9-second pause before they click, download or share. You asked for a 9-episode vertical microdrama that teaches that habit in a way people will actually watch. Here's what we know about the problem and the audience.

Most adults get scam attempts every day, and about 3 in 10 say they've already lost money or personal information to one. Many victims never report it, so the real number is likely higher.

58%

of US adults get suspected scam attempts every day.

AP-NORC poll, February 2026
~100

scam calls, texts and emails reach the average American every month. That's 3 or 4 a day.

Talker Research for Ping Identity, 2025
$15.9B

lost to scams Americans reported in 2025, a record. Text was the most common first contact.

Federal Trade Commission, 2026

How we work: we listen first

Every VERT project starts with the audience, not the script. Before we write a word, we run a quick pulse survey and sit down with real people, and what we hear becomes the story. For this bid, we started early: here's our first read on parents 35 to 55, including how often scams reach them, which ones, and where they watch vertical stories.

PULSE RESULTS · add top 3 findings and number of respondents before sending

So why does the generation running everyone's digital life still get caught?

In this day and age, three things are true for them at once.

Their kids spot the fake. They don't.

Teens call out a deepfake in a second. Their parents hesitate, and that hesitation is where the con lives.

They're everyone's tech support.

The Sandwich Generation guards their kids, their aging parents and themselves at the same time.

Scams follow their life.

A job change, dating again, a worried parent: every pressure point is a door a scammer can knock on.

One audience, two generations.

At 35 to 55, Take9's audience is really two generations: older millennials and Gen X. They grew up differently, laugh at different things and think about scams differently. A series that only speaks to one of them loses the other.

35 to 45

Older millennials

Grew up with
AIM, MySpace and the first iPhone
Their humor
Self-aware and a little chaotic
On scams
"I'm online all day. I'd spot it."
Where it gets them
Speed and multitasking: the text tapped between a Zoom call and school pickup
46 to 55

Gen X

Grew up with
Landlines, MTV, mixtapes and latchkey afternoons
Their humor
Dry, deadpan and sarcastic
On scams
"I'm too skeptical to get fooled."
Where it gets them
Confidence and trust: "I've handled this for 30 years."
The bridge

We build on what they share, not on their age. Both run a household for their kids and their parents, and both are sure they're too smart to get scammed. That confidence is exactly where every con lands.

Our idea

We hide the lesson inside the laugh.

We know people learn more when they're entertained than when they're told. So the lesson in this series isn't a lecture. It's tucked into the laugh, the cringe, even the moment of fear when she almost clicks. This generation grew up on it. Nobody remembers the After School Special, but everybody can still sing "Conjunction Junction." That's what we're making: Schoolhouse Rock for scams. You come for the story, and you leave knowing to take nine seconds.

Here's our early point of view. The story itself comes after we listen: once we're awarded, we'll bring BPI three creative directions to choose from.

The tone

A grounded romantic comedy with real stakes

Funny and warm, never a scary PSA. The scam works because she wants something, which is exactly why the audience will see themselves.

The engine

How many times in one day can you get scammed?

Every episode, life hands her another scam built on what she's actually dealing with: work, dating again, teens, aging parents.

The season thread

The one scam she wants to fall for

Building on BPI's Count to Nine: a dating-app match with a celebrity she's sure is a deepfake. It gives the celebrity lead a real role across the season.

The pause

A signature moment, not a lecture

The 9-second pause becomes a recurring beat viewers learn to expect, and by episode 9, to do themselves.

0 to 3 secondsThe hook

A line or image that stops the scroll.

The middleThe con in motion

A real modern scam, played out the way it really happens: on phones, apps and texts.

9 secondsThe pause

The beat where she slows down, or doesn't.

The last beatThe cliffhanger

An unresolved turn that earns the follow.

Speaking to both generations

One series has to land with a 38-year-old and a 52-year-old at the same time. Here's how we do it.

Cast across the range

A lead in her 40s sits right where the two generations meet, with a younger sister and an older Gen X friend, so everyone sees themselves and gets to laugh at each other.

Two ways to get got

The younger character falls for the fast scam. The older one falls for the trusted voice.

Shared nostalgia

The '90s belong to both: Gen X as teens, millennials as kids. Saturday-morning reruns, TGIF and the "very special episode" are common ground.

Humor from the situation

A mom who's sure the deepfake is real lands with everyone. Generational slang only lands with one.

How we'd make it

How development works.

We listen before we write. Then BPI chooses from three creative directions before a single script is written, so there are no surprises later.

Listen

A pulse survey of about 300 parents 35 to 55, then a 90-minute think tank with 8 parents. Their real "closest call" stories go straight to the writers.

VERT addition
Three creative directions

Our writers develop three distinct directions for BPI, each with a logline, tone, the shape of the season and a sample opening hook.

BPI chooses
Series bible & season beats

BPI picks one direction. We build the series bible and a beat sheet for all nine episodes.

Scripts

All 9 scripts, with 2 rounds of notes from BPI, Aspen Digital and Craig Newmark's team, and a fact check on every scam.

One-day shoot

Written to shoot in a single day in Los Angeles, with two locations and a small cast. Texts, DMs and scam alerts appear as on-screen graphics added in the edit.

Post & delivery

Edit with 3 rounds of notes, color, mix and graphics. Clean and captioned versions of every episode, plus stills.

Scripts locked before the holidays. Delivered February 5.

Week of Nov 16Kickoff & listen

Pulse survey and parent think tank.

Fri Nov 20Three directions

Presented to BPI.

Mon Nov 23BPI picks one

Before Thanksgiving week.

Tue Dec 1Bible & beats

Series bible and 9 episode beats.

Wed Dec 9Scripts

All 9 scripts, then 2 rounds of notes.

Fri Dec 18Scripts locked

Cast and locations approved.

Thu Jan 7Shoot

1 day in Los Angeles. Backup Jan 8.

Jan 11 to 29Edit

3 rounds of notes, picture lock Jan 29.

Fri Feb 5Delivery

Captioned and clean, plus stills.

Week of Feb 8Launch

Episode 1 live, then weekly.

Who makes it

A studio built for vertical, and a team that's done this before.

VERT is a director-led studio that brings craft and director- and creator-first authenticity to vertical, with the client services a brand or cause needs to trust us with its message. Many talented directors hide their vertical work. We're the home for the ones who don't.

VERT's founder, a director with 830M+ microdrama views this year, and network TV comedy writers who now write vertical series.

Hope Dotson Farley

Hope Dotson Farley

Founder, VERT

Hope built VERT to bring craft and director- and creator-first authenticity to the vertical space, backed by the client services a brand or cause needs to trust it with their message. Her goal is simple: elevate the medium. She brings 25+ years of producing commercials, music videos and social content, starting at Radical Media, and co-founded and led Adolescent Content, one of the first social-first production companies, for over a decade. Her work spans Meta, Google, Nike, Tinder and Target, plus public-interest campaigns for Power to Decide and the States of California and New Mexico. Shorty Award, 6x ADDY Awards, Webby nominee, Inc. Female Founders 500.

Kristen Brancaccio

Kristen Brancaccio

Director
830M+views across her last two microdramas, in 2026

Kristen Brancaccio is a writer-director who has directed more than 18 microdramas and is set to direct her first feature-length film for Dolphin Films in early 2027.

She most recently directed Issa Rae's debut vertical series Screen Time, which garnered over 250 million views in its first month on TikTok. Her Audible series Southern Belle Insults, starring Keke Palmer, Phaedra Parks, and Zachariah Parks, premiered in August 2026.

She also wrote and directed Hollywood Starlet for the new app aTwist, produced by Bradley Bell (The Bold and the Beautiful). Her series Heartstrings and Lies for Shorts won a Telly Award for Best Vertical Video Series this year. Her vertical work spans ReelShort, NetShort, and DramaShorts, among others. She is attached to direct both the microdrama and feature length adaptation of Clarence Hammond's original short-story Summer Session with Ancora Entertainment.

Before verticals, Kristen was a top-10 directing finalist on HBO's Project Greenlight for her short Day One, and wrote and directed the action-romance pilot Resistance for SYFY. She also has extensive music video credits.

KG
MG

Katy Garretson & Micah Goldman

Writers

Together, Katy and Micah sold their first five vertical series, then two more, including YA series for Shorties and Chera TV. Their work is grounded, funny and character-driven: the opposite of billionaire-and-mistress verticals. CONFIRM · credits they're OK naming

Katy Garretson spent two decades as a half-hour comedy director, including Frasier and 2 Broke Girls, after coming up through the DGA training program. She is a former professor of directing at USC and former CEO of an educational nonprofit for at-risk youth. DRAFT · swap in Katy's bio

Micah Goldman started on the production staff of The Office, wrote a pilot for Fox, and worked as a development executive before producing a comedy feature. He now writes vertical series full time. DRAFT · swap in Micah's bio

Work from our team

Microdramas from our director and writers, and public-interest campaigns led by VERT's founder.

Vertical microdramaScreen Time250M+ views in its first month
Dating-show microdramaThe Compatibility Experiment580M+ views, 90M in its first 10 days
Soap-style microdrama, written and directed by our directorHollywood StarletNew series
Vertical drama seriesHeartstrings and LiesTelly Award, Best Vertical Video Series
Vertical series by our writersMicah & Katy's seriestitle + reach
Youth suicide prevention, co-created with nearly 400 young peopleNever a Bother290M+ impressions · Shorty Impact Gold
Teen focus group first, then a creator-led "get ready with me" series on underage drinkingZero ProofTop-performing series on the channel
Helping parents talk with young people about sex and relationshipsTalking Is Power21M+ potential impressions in one month

Tap a thumbnail to play. VIDEO LINKS · Compatibility Experiment, Heartstrings and Lies, Micah & Katy, Zero Proof

Next steps

Let's make the pause everyone's habit.

We'd love a follow-up call this week to walk through the approach. On award, we're ready to kick off the week of November 16.

Hope Dotson Farley · Founder, VERT
hope@vert-tv.com · vert-tv.com